Lisa Hopkins
Books
- Shakespearean Allusion in Crime Fiction
- Hamlet
- King Henry V
- Bram Stoker
- Renaissance Drama on the Edge
- Bess of Hardwick
- Staging Britain's Past
- Cultural Uses of the Caesars on the English Renaissance Stage
- Stolen Goods in British Detective Fiction
- Evolution of a Student
- Self-Help Rejects
- Ocular Proof and the Spectacled Detective in British Crime Fiction
- Greeks and Trojans on the Early Modern English Stage
- Shakespearean Marriage - Merry Wives and Heavy Husbands
- Alchemist
- Imagining Cleopatra
- Bare Ruined Choirs
- Cultural Uses of the Caesars on the English Renaissance Stage
- Reading the River in Shakespeare's Britain
- Screen Adaptations : the Tempest
- Christopher Marlowe Chronology
- Materializing the East in Early Modern English Drama
- Money and Magic in Early Modern Drama
- Burial Plots in British Detective Fiction
- Poison on the Early Modern English Stage
- Drama and the Succession to the Crown, 1561-1633
- Arden of Faversham
- Interruptions in Early Modern English Drama
- Giants of the Past
- Marian Moments in Early Modern British Drama
- King Lear
- Tis Pity She's a Whore
- Edge of Christendom on the Early Modern Stage
- Goddesses and Queens
- Queen, or the Excellency of Her Sex
- Triggered Reactions Conquered
- Atrocity and Early Modern Drama
- John Ford's political theatre
- Teaching Shakespeare and Early Modern Dramatists
- Female Hero in English Renaissance Tragedy
- Romeo and Juliet
- Revenger's Tragedy
- Antony and Cleopatra
- Richard II
- Merchant of Venice
Author data: Open Library