George Cumberland

The emigrants

Appendix [to Outlines from the antients]

The marriage of Heaven and Hell

An attempt to describe Hafod, and the neighbouring scenes about the bridge over the Funack, commonly called the Devil's Bridge, in the county of Cardigan. ... By George Cumberland

The emigrants, or, A trip to the Ohio

On the limestone beds on the river Avon, near Bristol

Outlines from the ancients, figures, and basso-relievos

Reliquiæ conservatæ, from the primitive materials of our present globe

Watercolour drawings by George Cumberland, polymath, made between 1815-1828

An essay on the utility of collecting the best works of the ancient engravers of the Italian school

Reliquiae conservatae, from the primitive materials of our present globe

[Commonplace book]

The captive of the castle of Sennaar an African tale

A letter to Henry Griffiths, Esq. of Beaumont Lodge; from George Cumberland

Recollections of Mantua

Remarks on Raffaels colouring

Outlines from the antients

Bromley-Hill, the seat of the Right Hon. Charles Long, M.P.

An attempt to describe Hafod, and the neighbouring scenes about the bridge over the Funack

Description of some new fossil Encrini and Pentacrini, lately discovered in the neighbourhood of Bristol

Happ iness

Lewina the maid of Snowdon. A tale. By George Cumberland. With etchings by the author

Original tales

The reformed, or, The captive of the Castle of Sennaar

Some anecdotes of the life of Julio Bonasoni, a Bolognese artist, who followed the styles of the best schools in the sixteenth century

Reliquiae conservatae

On the strata at Whorlbury camp, in Somersetshire

A poem on the landscapes of Great-Britain, dedicated to James Irvine, Esq. at Rome, by George Cumberland. Written in the year 1780. With etchings by the author

Remarks on a new Pentacrinus from Lyme Regis, and a Briarean Pentacrinus

The captive of the Castle of Sennaar

Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes

Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes