Try to tell the story

From one of our most celebrated film critics and historians now comes a beautifully written memoir about his first eighteen years, growing up as an only child in south London in the midforties and late fifties. Told with elegance and restraint, partly from the point of view of a child, partly from that of an adult, it is the story of a lonely, stammering boy cared for by a matriarchy of his mother, grandmother, and an upstairs tenant, Miss Davis, to which he adds an imaginary sister, Sally. At the heart of this story is David Thomson's profound sadness at being abandoned by a cold and distant father who visits only on weekends and keeps, as Thomson later discovers, another household.Thomson gives a vivid picture of London in the aftermath of the war, whether it is his grandmother bringing him to a street corner to see Churchill or the bombed-out houses that still smelled of acrid smoke where, though forbidden, he played. Movies became his great escape, and the worlds revealed in Henry V, Red River, The Third Man, and Citizen Kane were part of his rich imaginative life, one that gained him a scholarship to public and eventually film school. And though his father could never tell his