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Cover of Ner Ot

Ner Ot

by Lawrence L. Langer

Art, americanArt criticismJudaismCriticism and interpretationCandles and lights (Judaism)Holocaust, Jewish (1939-1945), in artLight in artHolocaust, Jewish (1939-1945) in art

"Candles have a ceremonial history in Judaism where their lighting accompanies holy days and is a ritualistic remembrance of loved ones who have passed. Additionally, the Ner Tamid, or Eternal Light, perpetually burns in the synagogue to represent the constant presence of God. The significance of the candle falters and the divine light dims, however, in the shadows cast by murderous world wars and numerous genocidal campaigns. This leads us to ask: what ritual of memorialization can possibly befit those who died in this way? How do we address the destructive nature of flames, manifested in the Greek etymology of the word Holocaust, in which holos means "whole" and kaustos denotes "burn," and by which everything is reduced to ash? In his essay, Lawrence L. Langer guides us through the ritual of remembering the Holocaust through Samuel Bak's paintings. Langer's words explicate the historical, religious, and cultural narratives that inform the artwork. As Langer turns our sight into insight, he unpacks the dense visual imagery of each work, verbalizes the inquiries both overt and covert, and provides the context that scaffolds our attempts to find answers. Inhabitants of a surrealisti

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Book data: Open Library