Between New York and Paris

Forging connections across the fields of American, French, and African diaspora history, this dissertation traces the emergence of the Hip Hop cultural movement in New York City's African American and Latino neighborhoods in the 1970s and its globalization to a postcolonial France. Drawing on previously untapped archival sources in the U.S. and France, as well as dozens of original, in-depth oral histories with key figures (including musicians, journalists, dancers, visual artists, deejays, and businesspeople), "Between New York and Paris" uncovers the roots and routes of this trans-Atlantic history. Organized around a series of transnational encounters, the study examines how Hip Hop's various cultural practices (rapping, deejaying, graffiti, breakdancing) traveled first from New York's outer boroughs to the downtown Manhattan arts scene at the turn of the 1980s, and then spread to and became rooted in the disproportionately immigrant, working-class suburbs of France. This dissertation argues that the globalization of this (African)American cultural movement radically altered the terrain on which postcolonial Afro-French youth's national and diasporic membership was lived, contest