Brancusi, Rosso, Man Ray

Museum Boijmans Van Beuningen is showing the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). Masterpieces will be flown in from top collections all over the world, including the Centre Pompidou in Paris and the Museum of Modern Art in New York. They include iconic sculptures never shown in the Netherlands, such as Brancusi's Princesse (1915-16) and Colonne sans fin (1918). Brancusi, Rosso and Man Ray all used photography in an innovative way in their work. A group of forty sculptures and more than sixty photographs that the artists took of their sculptures afford a unique insight into their artistic practice. After 1900 technical developments made photography easier and more affordable and therefore accessible to more people. At the beginning of the twentieth century, artists increasingly sought a new language of forms in photography. Brancusi, Rosso and Man Ray employed photography not so much as a means of recording their work as a way of making clear how observers should view and interpret their works. They used experimental techniques such as overexposure, innovative came