
A study of Omaha Indian music
MusicOmaha IndiansHistory and criticismFolk musicIndians of North AmericaIndians of north america, musicIndians of north america, middle westFolk music, history and criticism
"Fletcher and Francis La Flesche, her Omaha coworker and adopted son, divided the songs into three categories: religious ones, to be sung by a certain class either through initiation or inheritance; social ones, involving dances and games, always sung by a group; and ones to be sung singly, including dream songs, love songs, captive songs, prayer songs, death songs, sweat lodge songs, and songs of thanks. John Comfort Fillmore, a professional musician, added a "Report on the Structural Peculiarities of the Music."" "Those interested in a vital aspect of Indian culture will want to own this book, which contains the musical scores as well as the native-language words for the songs."--BOOK JACKET.
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Book data: Open Library