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The role of the author in Juan Carlos Onetti and Juan Jose Saer

by Christian Claesson

My dissertation studies the frequently mentioned but never fully explored affinities between the writings of Juan Carlos Onetti and Juan José Saer. From the very beginning of their writing careers, both authors relate writing and narrating to an elusive search for meaning--in life and stories. Consequently, the scene of storytelling is of the utmost importance; how, when, by and to whom, and indeed why a story is told is a crucial element of their fiction. Onetti and Saer explore the scene of storytelling in their writings by focusing on the figure of the author. Drawing on theories concerned with the position of the author in fiction, I explore the ambiguous connections between protagonist, narrator, author, writer, and reader in six important texts: Onetti's novella El pozo (1939) and the novels La vida breve (1950) and Los adioses (1954), and Saer's short story "La mayor" (1976) as well as the novels Glosa (1986) and La pesquisa (1994). In all six texts an authorial figure is questioned, whether it is the narrator himself, a character's oral narrative, or an author's real and fictional deeds. What Onetti and Saer narrate, or even dramatize, is a to-and-fro movement, a constant l

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Book data: Open Library