Land sliding

Why have so many of this century's prominent political and literary critics wanted to find a single metaphor to describe the character of Canada? Why have so many used land-based metaphors in reference to the divisions between centre and margin, colony and empire, wealth and power? W. H. New, in Land Sliding: Imagining Space, Presence, and Power in Canadian Writing, investigates this established paradigm by examining why so many writers have accepted the land as a comprehensive image of nationhood. Is there in fact, he questions, a landscape that is 'natural,' unmediated by social values and literary representation? Asking what 'land' as an abstract concept and a physical site has to do with writing, representation, and power, New looks at the 'sliding' relationship by which people associate their surroundings with their position in society. New's study of land in literature is a commentary on the way a culture produces values by transforming the 'natural' into literary idiom and, in turn, making literary convention seem natural. Land Sliding develops not as a history of uniformity or progress, but as a series of dialogues between part and present, between paradigms and disciplines